Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Tureck, Rosalyn: A revaluation of concepts in relation to the interpretation and performance of Bach. RecSound 6 (1957), 2-17. | |
| 2. | Tureck, Rosalyn: Bach - a revaluation. MakingMusic 38 (1958), 5-8. | |
| 3. | Tureck, Rosalyn: Bach - piano, harpsichord or clavichord. MakingMusic 39 (1959), 5-9. | |
| 4. | Tureck, Rosalyn: Bach on the modern piano. MakingMusic 40 (1959), 5-7. | |
| 5. | Tureck, Rosalyn: An introduction to the performance of Bach. A progressive anthology of keyboard music edited with introductory essays by Rosalyn Tureck 3 vols. - London, New York, Toronto: Oxford Univ. Press 1960, 23p, 24p, 39p. | |
| 6. | Tureck, Rosalyn: Bach - en omvurdering. DanskMTidsskr 36/2 (Mar 1961), 42-47. | |
| 7. | Tureck, Rosalyn: Bach - klaver, cembalo eller clavichord? DanskMTidsskr 36/4 (Jun 1961), 146-149. | |
| 8. | Tureck, Rosalyn: An introduction to Bach. MLetters 42/2 (Apr 1961), 196-198. | |
| 9. | Tureck, Rosalyn: BACH: piano, harpsichord or clavichord. AmerMTeacher 11/3 (Jan-Feb 1962), 8-9, 30. The Fretted String ; Committee on Historic Instruments. | |
| 10. | Tureck, Rosalyn: Bach in the Twentieth Century. MTimes 103/1428 (Feb 1962), 92-94. | |
| 11. | Tureck, Rosalyn: A lesson on 'Postillion's Air and Fugue' from Bach's 'Capriccio on the Departure of his Beloved Brother'. PianoTeacher 6 (1963), 8-9. | |
| 12. | Tureck, Rosalyn: Bach and the dance: a new dance school of the Institute for Bach Studies. MClubsMag 48/4 (1969), 28-29. | |
| 13. | Tureck, Rosalyn: Concerning Bach's Clavier Concertos. MJournal 27/10 (Dec 1969), 66, 98-99. | |
| 14. | Tureck, Rosalyn: Bach enso no tebiki. [Handbook of Bach Performance] Trans. Japanese by Ichiro Sumikura and Mariko Kada. Tokyo: Zenon-gakufu 1970. 78p. | |
| 15. | Tureck, Rosalyn: All about Bach. MArtists 3/1 (1970), 19. | |
| 16. | Tureck, Rosalyn: Cells, Functions and Relationships in Musical Structure and Performance. Interaction 1 (1997), 33-69. [Paper read at the First International Symposium, Oxford, December 1995] | |
| 17. | Tureck, Rosalyn: Musical Authenticity - Is it a legitimate offspring of Janus? Interaction 2 (1999), 54-93. [A paper read at the Second International Symposium, Oxford, April 1997] | |
| 18. | Tureck, Rosalyn: J.S. Bach and Number - Symmetries and Other Relationships. Interaction 3 (2007) [A paper read at the Third International Symposium, Oxford, May 1998] | |